Page 554 - 6th_CREDAWARD_Album

杭州千岛湖安麓酒店 桐庐康莱德酒店

Hangzhou Thousand Island Lake Ahn Luh Resort Conrad Hotel, Tonglu

业主单位：上海锦和投资集团有限公司 业主单位：中金地产
照明设计：黎欧思照明（上海）有限公司 照明设计：北京光石普罗照明设计有限公司
项目规模：19,000 平方米 建筑面积：30,000 平方米
建成时间：2018 年 7 月 建成时间：2019 年
设计周期：3 年 设计周期：1 年
Owner：Shanghai Golden Union Investment Owner：CCIG
Co., Ltd. Lighting Design：Beijing PRO Lighting Design
Lighting Design：LEOX design partnership Co., Ltd.
Project Scale：19,000 sqm Construction Area：30,000 sqm
Date of Completion：2018.07 Date of Completion：2019
Cycle of Design：3 years Cycle of Design：1 year

酒店坐落在千岛湖北岸，建筑设计灵感源自于吴冠中先生的水墨江南。照明遵从了对称的方式， 建筑随山势分布在 5 个高差之上，掩映在绿树 设计团队
处理了前与后、内与外的虚实对比关系，在藏与露之间领悟传统园林中“在有限中体验无限” 之间，从山下往去，俨然一座中世纪的小城。 Design Team
的追求，精巧而不琐碎。考虑到度假酒店的夜间暗天空需求，所有别墅的建筑立面都没有设计 由此，照明设计的理念便应孕而生，“天溪湖
任何投光。 室内采用了调光控制系统，并对夜间照度作出了精确的设定，确保在最少的能耗下 畔的圣托里尼”成为建筑照明的目标。 我们
PRO LIGHTING 光石普罗设计团队
达到使用需求，并符合度假酒店的慵懒气氛。 将光的设置大多放在建筑内凹位置或者完全建
筑的内侧，这样既能让建筑的主要结构特点得
The Ahn Luh resort sits on the north shore of Qiandao Lake. The architectural design is 到体现，同时外部和表面都处于暗部，当所有
inspired by Mr. Wu Guanzhong's ink paintings. Taking the night sky demand of the resort into 建筑在横向和纵向都联系在一起时候，就会出
consideration, all the building facades of the villa are not designed with any light. A dimming 现不断重复的亮暗的变化，再加上各栋建筑朝
control system is used in the room, and the night illumination is precisely set to ensure that it is 向的差异，这种变化就更加丰富了。
used at the lowest energy consumption and in line with the resort's lazy atmosphere.
Seen from the top, the buildings standing in
the distribution of 5 height difference of the
mountain looks like a medieval town hidden
主创设计师
Chief Designer among the trees. And an idea of illumination
design appears, which is the sample of
architectural lighting—the Lake Santorini. we
蔡馨杰 placed the light mostly in the recesses of
照明设计师
Xinjie Cai the building or on the inside of the building,
Lighting Designer so that the main structural feature of the
building can be reflected, while the exterior
and the surface are in shadow. Once all the
buildings are connected horizontally and
longitudinally, there are repeated variations
of light and dark, which are enriched by
differences in the orientation of the buildings.

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